100th Window

100th Window is the fourth studio album by English electronic music group Massive Attack, released on 10 February 2003 by Virgin Records. Of the group’s original core line-up, the album only features Robert Del Naja; Andrew Vowles departed shortly after the release of the group’s previous album Mezzanine (1998), and Grant Marshall refused to participate in the making of the record. 100th Window was written and produced by Del Naja and Neil Davidge, and features vocals from Horace Andy, Sinéad O’Connor, and Damon Albarn (performing as 2D from Gorillaz). It is also the first album by the group that makes no use of samples, and contains none of the jazz or jazz fusion stylings of the group’s first two albums Blue Lines (1991) or Protection (1994).

2003 studio album by Massive Attack
100th Window
Studio album by

Released 10 February 2003
Recorded 2001–2002
Studio Sony (London)
Genre
Length 73:52
Label Virgin
Producer
Massive Attack chronology
Singles 90/98
(1998)
100th Window
(2003)
Danny the Dog
(2004)
Singles from 100th Window
  1. Special Cases
    Released: 24 February 2003
  2. Butterfly Caught
    Released: 16 June 2003

. . . 100th Window . . .

Work on the album started in early 2000 at the Christchurch Studios in Clifton, Bristol. Massive Attack recruited Lupine Howl (a band made up of ex-members of Spiritualized) for the new album. In a November 2001 interview, Lupine Howl’s lead singer Sean Cook described the sessions as “very experimental … that essentially consisted of kinda minimal loops and noises that were fed to our headphones from the computer up in the control room. Then we would have this sort of extended jam session playing along to them and they would do various things to do the loops. Sometimes they would drop out the loop, sometimes they would start processing it with effects and delays and stuff like that, to try and make it change in various ways and see what that would do in terms of our playing. They also had a strobe light in the live room, which they controlled from the control room. They would kind of put that on and speed it up to dictate the intensity and try to affect the way we played with the lighting. It was a really good laugh; we got some good stuff. I mean, hours and hours of stuff, which they have taken back and cut up and arranged and done their things to.”[2]

In a 17 July 2002 posting to Massive Attack’s forums, Del Naja wrote that over the course of time, the band had become “very unhappy with the shapes being formed”, and that by the beginning of 2002 they had discarded most of the material that was written up to that point. As a result, Lupine Howl is not credited with any contributions to the final album. However, one song from those sessions, “Nature of Threat”, was later made available for download on Massive Attack’s website.

Professional ratings
Aggregate scores
Source Rating
Metacritic 75/100[3]
Review scores
Source Rating
AllMusic [4]
Alternative Press 4/5[5]
Entertainment Weekly C[6]
The Guardian [7]
Los Angeles Times [8]
Mojo [9]
Pitchfork 5.1/10[10]
Rolling Stone [11]
Spin 7/10[12]
Uncut [13]

Initial critical response to 100th Window was positive. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album has received an average score of 75, based on 25 reviews.[3]

As of February 2010, the album had sold 180,000 copies in the United States, according to Nielsen SoundScan.[14]

. . . 100th Window . . .

This article is issued from web site Wikipedia. The original article may be a bit shortened or modified. Some links may have been modified. The text is licensed under “Creative Commons – Attribution – Sharealike” [1] and some of the text can also be licensed under the terms of the “GNU Free Documentation License” [2]. Additional terms may apply for the media files. By using this site, you agree to our Legal pages . Web links: [1] [2]

. . . 100th Window . . .