The Heart of Saturday Night

The Heart of Saturday Night is the second studio album by singer and songwriter Tom Waits, released on October 15, 1974 on Asylum Records.[2] The title song was written as a tribute to Jack Kerouac.[3] The album marks the start of a decade-long collaboration between Waits and Bones Howe, who produced and engineered all Waits’ recordings until the artist left Asylum.

1974 studio album by Tom Waits
The Heart of Saturday Night
Studio album by

Released October 15, 1974 (1974-10-15)
Studio Wally Heider Recording Studio, Hollywood, California
Genre Folk, blues, jazz[1]
Length 41:28
Label Asylum
Producer Bones Howe
Tom Waits chronology
Closing Time
(1973)
The Heart of Saturday Night
(1974)
Nighthawks at the Diner
(1975)
Singles from The Heart of Saturday Night
  1. “Blue Skies (non-album single)”
    Released: October 1974
  2. “San Diego Serenade”
    Released: 1975

. . . The Heart of Saturday Night . . .

The album cover is based on In the Wee Small Hours by Frank Sinatra.[4] It is an illustration featuring a tired Tom Waits being observed by a blonde woman as he exits a neon-lit cocktail lounge late at night.[5]Cal Schenkel was the art director and the cover art was created by Lynn Lascaro.[4]

Professional ratings
Review scores
Source Rating
AllMusic [1]
Christgau’s Record Guide C+[6]
Classic Rock 7/10[7]
Mojo [8]
Overdose B[9]
Pitchfork 7.9/10[10]
Q [11]
The Rolling Stone Album Guide [12]
Uncut [13]
The Village Voice B−[14]

In a contemporary review for The Village Voice, Janet Maslin regarded the songs as tawdry affectations of “a boozy vertigo” marred by Waits’ vague lyrics and ill-advised puns on an album that is “too self-consciously limited” in mood. “It demands to be listened to after hours”, Maslin wrote, “when that cloud of self-pitying gloom has descended and the vino is close at hand”.[15] Fellow Village Voice critic Robert Christgau was also critical of Waits’ compositions, writing that “there might be as many coverable songs here as there were on his first album if mournful melodies didn’t merge into neo imagery in the spindrift dirge of the honky-tonk beatnik night. Dig?”[14]

In a retrospective review for the Los Angeles Times, Buddy Seigal was more impressed by Waits’ “touchingly, unashamedly sentimental” songs, calling The Heart of Saturday Night perhaps the singer’s most “mature, ingenuous and fully realized” album.[16] It was ranked number 339 on Rolling Stone magazine’s list of the 500 greatest albums of all time.[17][18]

. . . The Heart of Saturday Night . . .

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. . . The Heart of Saturday Night . . .